An analytical study of the first volume compositions of Soleima Stravinsky to develop performance skills on the piano

Author

Teaching Assistant, Music Education Department

Abstract

A suggested Training program Using pieces of Soulima Stravinsky To Develop piano Performance Skills For Students in Faculty of Specific Education, Minia University
Music works of 20th  century have distinguished with irregular  and releasing from scales and that lose its true the tunalic belonging and the variety of expression means ,and that leads to difficulty to put  a one recipe music.
Follower to Russian music find that it wasuntil the middle of the 19th century just aextension of European music.
But at the begining of 20th century ,the Russian revoulation had affected the musical development , that the socialism state tried to control thinking and music ,that happened by instilling music in factories ,clubs and opera houses all over the century ,and also by encouragement musical compositions and so , the ressian socialism state considers that art is exsited for all the nation.
Russian composer  Soulima Stravinsky is the third and last son for the Russian composer Egor Stravinsky.
Soulima has followed his father ,s style in his compositions and he shared his father in composing a lot of new works.
Becaues of importance of children compositions in piano curriculum and in preparing of musicians , according to that I,ll use some of pieces of
The first volume of Soulima Stravinsky to develop piano students skills through asuggested program.
The research was covered in four chapters of the researcher as follows :-
Chapter I : including two researches :
First topic: Provide search :
  The researcher presented the offer, research problem , obiectives , impotance , duties procedures , limitations, and terminology.
The second topic : the previous studies related to our search.
Chapter II : Conceptual framework:
And included three researches :
First topic : The Russian music and its most important composers in 20th cenhutry and that includes
The Russian music in 19th century.
The Russian music in 20th century.
The most impotant Russian composers in 20th century.
The third topic : Soulima Stravinsky( his life -  growing up - his works  - his style
 Chapter III : application framework ( the curriculum and procedures )
And included:
First topic : The study is descriptive of the pieces of the first volume for paino music for children of soulima Stravinsky from the theoretical analysis playing and draw conclusions of the study.
Chapter IV : Search results and interpretation :
The resultsof the search result is reached by a researcher from the results in chapter III and treated statistically came the answer to the hypotheses
As follows :
Assumption I :
The researcher assume that the survey and theoretical analysis for pieces of  the first volume of Soulima Stravinsky , help to clarify the characteristics and determine the technical requirements of good performance of these pieces.
The researcher responded to this imposition in the first part, chapterIII through the survey and the theoretical analysis of  pieces ninteen of Soulima Stravinsky and clarified the results reached by the researcher, which contain the technical characteristics of these pieces and style of the technical drafting of Soulima Stravinsky ,where the results were as follows :
The Scale :
 Soulima Stravinsky used  different scales of  major and  miner , his pieces distinguished by moving freely from scale to another in the same piece then returning to the main scale.
The  Structural height and formula :
Soulima Stravinsky  used variety formulas  (the mono, binary , triple)  and astructural formula based on the method of deplication style.
 Speed and scale :
Soulima commited in every piece in the first volume one speed along the piece , he also commited using one scale along the piece in his first volume.
Performing and expression terminology :
Performing and expression terminology of  pieces in the first volume were varied as shown in digram (23).
The researcher than development of proposals and recommendations , which were as follows:
Interest in the use playing theoretical analysis and provide training and guidance playing various works of art because of its paramount importance in understanding the technical characteristics and akey factor in improving the performance of that work in abetter way.
The researcher recommended  in inclusion of pieces of the first volume for piano music for children for soulima Stravinsky as a part of the curriculum of the music education college.
The importance of enriching the cultural and audio libraries with records of soulima Stravinsky works.
And supplementa to conclude the search and reference list of Arab and foreign , and abstract in Arabic and foreign countries.

Main Subjects


ﺍﻟﻤﺭﺍﺠﻊ ﻭﺍﻟﻤﺼﺎﺩﺭ: ﺃﻭﻻ ـ ﺍﻟﻤﺭﺍﺠﻊ ﺒﺎﻟﻠﻐﺔ ﺍﻟﻌﺭﺒﻴﺔ: :، ﺍﻟﻘـﺎﻫﺭﺓ ٣ .( ﻋﻠﻡ ﺍﻟـﻨﻔﺱ ﺍﻟﺘﺭﺒـﻭﻯ ، ﻁ ١٩٨٤) ﺁﻤﺎل ﺃﺤﻤﺩ ﻤﺨﺘﺎﺭ ﺼﺎﺩﻕ ﻤﻜﺘﺒﺔ ﺍﻻﻨﺠﻠﻭ ﺍﻟﻤﺼﺭﻴﺔ.
دراﺳﺔ ﺗﺤﻠﯿﻠﯿﺔ ﻋﺰﻓﯿﺔ ﻟﻤﻘﻄﻮﻋﺎت اﻟﻤﺠﻠﺪ اﻷول ﻟﺴﻮﻟﯿﻤﺎ ﺳﺘﺮاﻓﻨﺴﻜﻲ ﻟﺘﻨﻤﯿﺔ ﻣﮭﺎرات اﻷداء ﻋﻠﻰ آﻟﺔ اﻟﺒﯿﺎﻧﻮ
١٥١ ﺍﻟﻌﺩﺩ ﺍﻟﺜﺎﻨﻲ –ﻤﺠﻠﺔ ﺒﺤﻭﺙ ﻓﻲ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ
ﺩﺭﺍﺴﺔ ﻓﻲ ﻋﻠـﻡ ﺍﻟـﻨﻔﺱ ، .( ﻟﻐﺔ ﺍﻟﻤﻭﺴﻴﻘﻲ ١٩٨٨)ﺁﻤﺎل ﺃﺤﻤﺩ ﻤﺨﺘﺎﺭ ﺼﺎﺩﻕ ، ﺍﻟﻘﺎﻫﺭﺓ :ﻤﺭﻜﺯ ﺍﻟﺘﻨﻤﻴﺔ ﺍﻟﺒﺸـﺭﻴﺔ ،ﺍﻟﻠﻐﻭﻱ ﻭﺘﻁﺒﻴﻘﺎﻨﻪ ﻓﻲ ﻤﺠﺎل ﺍﻟﻤﻭﺴﻴﻘﻲ ﻭﺍﻟﻤﻌﻠﻭﻤﺎﺕ . .( ﻤﻨـﺎﻫﺞ ١٩٩٠) ﺁﻤﺎل ﺃﺤﻤﺩ ﻤﺨﺘﺎﺭ ﺼﺎﺩﻕ؛ ﻓﺅﺍﺩ ﻋﺒﺩ ﺍﻟﻠﻁﻴﻑ ﺍﺒـﻭ ﺤﻁـﺏ ﺍﻟﻘﺎﻫﺭﺓ: ﻤﻜﺘﺒـﻪ ﺍﻷﻨﺠﻠـﻭ ،ﺍﻟﺒﺤﺙ ﻭﺍﻹﺤﺼﺎﺀ ﻭﺍﻟﺒﺤﻭﺙ ﺍﻟﺘﺭﺒﻭﻴﺔ ﻭﺍﻟﺘﻘﻨﻴﺔ ﺍﻟﻤﺼﺭﻴﺔ. ، ﺍﻟﻘﺎﻫﺭﺓ: ﻭﺯﺍﺭﺓ ﺍﻟﺜﻘﺎﻓﺔ ﺍﻟﻤﺼـﺭﻴﺔ ، (: ﺍﻟﻘﺎﻤﻭﺱ ﺍﻟﻤﺼﺭﻯ ١٩٩٢)ﺍﺤﻤﺩ ﺒﻴﻭﻤﻰ ﺍﻟﻤﺭﻜﺯ ﺍﻟﺜﻘﺎﻓﻰ ﺍﻟﻘﻭﻤﻰ، ﺩﺍﺭ ﺍﻻﻭﺒﺭﺍ ﺍﻟﻤﺼﺭﻴﺔ. (" :ﺍﺴﻠﻭﺏ ﺍﺩﺍﺀ ﺍﻟﻔﺭﻴﺩﻭﺍ ﻜﺎﺯﻴﻠﻼ ﻟﻠﻤﺒﺘﺩﺌﻴﻥ ١٩٩٢) ﺃﺴﻤﺎﺀ ﻤﺤﻤﺩ ﺍﺒﺭﺍﻫﻴﻡ ﺸﻭﻤﺎﻥ ﻵﻟﺔ ﺍﻟﺒﻴﺎﻨﻭ"، ﺭﺴﺎﻟﺔ ﻤﺎﺠﺴﺘﻴﺭ، ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻤﻭﺴﻴﻘﻴﺔ،ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ. (" :ﺩﺭﺍﺴﺔ ﺘﺤﻠﻴﻠﺔ ﻋﺯﻓﻴﺔ ﻟﻤﺅﻟﻔﺎﺕ ﺍﻻﻁﻔﺎل ١٩٩٤) ﺃﻤل ﺤﻴﺎﺘﻰ ﻤﺤﻤﺩ ﻓﺘﺤﻰ ﻋﻼﻡ ﻋﻨﺩ ﺁﺭﺍﻡ ﺨﺘﺸﺎﺩﻭﺭﻴﺎﻥ ﻟﻠﺒﻴﺎﻨﻭ"، ﺭﺴﺎﻟﺔ ﻤﺎﺠﺴﺘﻴﺭ، ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻤﻭﺴـﻴﻘﻴﺔ، ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ . ( :"ﻤﺅﻟﻔﺎﺕ ﺍﻟﻤﺩﺭﺴﺔ ﺍﻟﺭﻭﺴﻴﺔ ﺍﻟﺤﺩﻴﺜﺔ ﻵﻟﺔ ﺍﻟﺒﻴـﺎﻨﻭ ١٩٧٩) ﺒﺜﻴﻨﺔ ﻤﺤﻤﺩ ﺍﺒﻭﻋﻭﻑ ﺭﺴـﺎﻟﺔ ﺩﻜﺘـﻭﺭﺍﻩ ، ﻜﻠﻴـﺔ ﺍﻟ ﺘﺭﺒﻴـﺔ ،"ﻭﺍﺨﺘﻴﺎﺭ ﻤﻨﻬﺎ ﻤﺎ ﻴﻼﺌﻡ ﻁﺎﻟﺏ ﺍﻟﻤﻌﻬﺩ . ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ ، ﺍﻟﻤﻭﺴﻴﻘﻴﺔ ﺘﺭﺠﻤﺔ ﺴـﻤﺤﺔ ﺍﻟﺨـﻭﻟﻲ ، :(ﺘﺎﺭﻴﺦ ﺍﻟﻤﻭﺴﻴﻘﻲ ﺍﻟﻌﺎﻟﻤﻴﺔ ١٩٧٢) ﺜﻴﻭﺩﻭﺭ ﻡ. ﻓﻴﻨﻲ . ﺍﻟﻘﺎﻫﺭﺓ :ﺩﺍﺭ ﺍﻟﻤﻌﺭﻓﺔ ،ﻭﻤﺤﻤﺩ ﺠﻤﺎل ﻋﺒﺩ ﺍﻟﺭﺤﻴﻡ ( :"ﺩﺭﺍﺴﺔ ﺘﺤﻠﻴﻠـﺔ ﻋﺯﻓﻴـﺔ ﻟﻤﺅﻟﻔـﺎﺕ ﺍﻻﻁﻔـﺎل ١٩٩٤) ﺠﻴﻬﺎﻥ ﻭﺼﻔﻰ ﻨﺠﻴﺏ . ﺭﺴﺎﻟﺔ ﻤﺎﺠﺴﺘﻴﺭ، ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻤﻭﺴﻴﻘﻴﺔ، ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ ،"ﻟﺒﻴﻼﺒﺎﺘﻭﻙ ( :"ﻁﺭﻴﻘﺔ ﻤﻘﺘﺭﺤـﺔ ﻟﺘـﺫﻟﻴل ﺼـﻌﻭﺒﺎﺕ ﺍﺩﺍﺀ ٢٠٠٦) ﺩﻴﻨﺎ ﻤﺤﻤﺩ ﻤﺤﻤﺩ ﺍﺒﺭﺍﻫﻴﻡ ﻁﻼﺏ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ ﻟﻤﻘﻁﻭﻋﺎﺕ ﻤﻨﺩﻟﺴﻭﻥ ﻓﻰ ﺍﻟﺒﻴﺎﻨﻭ ﻟﻼﻁﻔـﺎل "، ﺭﺴـﺎﻟﺔ . ﺠﺎﻤﻌﺔ ﺍﻟﻘﺎﻫﺭﺓ، ﻤﺎﺠﺴﺘﻴﺭ، ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ ( :"ﺒﺭﻨﺎﻤﺞ ﻤﻘﺘﺭﺡ ﻴﺴﺘﺨﺩﻡ ﻤﻭﺴﻴﻘﻰ ﺒـﺎﺭﺘﻭﻙ ٢٠٠٨) ﺭﺍﻨﻴﺎ ﻋﺎﺩل ﻤﺤﻤﺩ ﺍﻟﻬﺎﺩﻯ
دراﺳﺔ ﺗﺤﻠﯿﻠﯿﺔ ﻋﺰﻓﯿﺔ ﻟﻤﻘﻄﻮﻋﺎت اﻟﻤﺠﻠﺪ اﻷول ﻟﺴﻮﻟﯿﻤﺎ ﺳﺘﺮاﻓﻨﺴﻜﻲ ﻟﺘﻨﻤﯿﺔ ﻣﮭﺎرات اﻷداء ﻋﻠﻰ آﻟﺔ اﻟﺒﯿﺎﻧﻮ
١٥٢ ﺍﻟﻌﺩﺩ ﺍﻟﺜﺎﻨﻲ –ﻤﺠﻠﺔ ﺒﺤﻭﺙ ﻓﻲ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ
ﺭﺴﺎﻟﺔ ،" ﻭﺒﺭﻭﻜﻔﻴﻑ ﻟﻸﻁﻔﺎل ﻟﺘﺤﺴﻴﻥ ﺍﺒﺘﻜﺎﺭ ﺍﻟﻁﺎﻟﺏ ﺒﻤﻭﺴﻴﻘﻰ ﺃﻏﻨﻴﺔ ﺍﻟﻁﻔل ﺩﻜﺘﻭﺭﺍﻩ، ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ، ﺠﺎﻤﻌﺔ ﺍﻟﺯﻗﺎﺯﻴﻕ. ، ( :"ﺁﻟﺔ ﺍﻟﺒﻴﺎﻨﻭ ﻓﻲ ﻤﺼﺭ"، ﺭﺴﺎﻟﺔ ﺩﻜﺘﻭﺭﺍﻩ ﻏﻴﺭ ﻤﻨﺸـ ﻭﺭﺓ ١٩٧٧)ﺴﺎﻤﻲ ﺍﺒﺭﺍﻫﻴﻡ . ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ،ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻤﻭﺴﻴﻘﻴﺔ ﺍﻟﻜﻭﻴﺕ :ﺴﻠﺴﺔ ، (: ﺍﻟﻘﻭﻤﻴﺔ ﻓﻰ ﻤﻭﺴﻴﻘﺎ ﺍﻟﻘﺭﻥ ﺍﻟﻌﺸﺭﻴﻥ ١٩٩٢)ﺴﻤﺤﺔ ﺍﻟﺨﻭﻟﻲ . ﻴﻭﻨﻴﻭ،ﻋﺎﻟﻡ ﺍﻟﻤﻌﺭﻓﺔ ( :"ﺩﺭﺍﺴﺔ ﺸـﺎﻤﻠﺔ ﻟﻌـﺯﻑ ﻤﻘﻁﻭﻋـﺎﺕ ١٩٨٩) ﺴﻭﺯﺍﻥ ﺍﺤﻤﺩ ﺍﺴﻤﺎﻋﻴل ﻋﺴل ﺭﺴﺎﻟﺔ ﻤﺎﺠﺴﺘﻴﺭ، ﻜﻠﻴـﺔ ،"ﺍﻟﺼﻐﺎﺭ ﻟﺒﻴﺘﺭ ﺍﻟﺒﺘﺵ ﺘﺸﺎﻴﻜﻭﻓﺴﻜﻰ ﻋﻠﻰ ﺁﻟﺔ ﺍﻟﺒﻴﺎﻨﻭ . ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ،ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻤﻭﺴﻴﻘﻴﺔ (: "ﺼﻭﻨﺎﺘﻴﻥ ﺍﻟﺒﻴﺎﻨﻭ ﻋﻨﺩ ﺩﻭﺴﻴﻙ ﺩﺭﺍﺴـﺔ ١٩٩٨) ﺸﺎﻫﻨﺩﻩ ﻤﺤﻤﻭﺩ ﺍﺤﻤﺩ ﺭﻀﻭﺍﻥ ﺘﺤﻠﻴﻠﺔ ﻋﺯﻓﻴﺔ"، ﺭﺴﺎﻟﺔ ﻤﺎﺠﺴﺘﻴﺭ، ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ، ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ. (" :ﺩﺭﺍﺴﺔ ﺘﺤﻠﻴﻠﻴﺔ ﻋﺯﻓﻴﺔ ﻟﻠﺒﺭﻴﻠﻴـﻭﺩ ﻋﻨـﺩ ٢٠٠٧) ﻋﻠﻴﺎﺀ ﻋﻠﻰ ﻋﺒﺩﺍﷲ ﺍﻟﺒﺭﺒﺭﻯ ﺴﻭﻟﻴﻤﺎﺴﺘﺭﺍﻓﻨﺴﻜﻰ ﻭﺍﻻﺴﺘﻔﺎﺩﺓ ﻤﻨﻬﺎ ﻓﻰ ﺘﺤﺴـﻴﻥ ﺃﺩﺍﺀ ﺍﻟﺴـﻼﻟﻡ ﺍﻟﻤﻭﺴـﻴﻘﻴﺔ ، ﺭﺴﺎﻟﺔ ﻤﺎﺠﺴﺘﻴﺭ، ﻜﻠﻴـﺔ ﺍﻟﺘﺭﺒﻴـﺔ ﺍﻟﻨﻭﻋﻴـﺔ ،"ﻟﻁﻼﺏ ﻜﻠﻴﺔ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ. ( :"ﺍﺴﻠﻭﺏ ﺍﺩﺍﺀ ﻤﺅﻟﻔﺎﺕ ﺴـﻴﺭﺠﻰ ﺒﺭﻜﻔﻴـﻑ ١٩٩٥) ﻓﺎﻁﻤﺔ ﻤﺤﻤﺩ ﺍﻟﺒﻬﻨﺴﺎﻭﻯ ﻜﻠﻴﺔ ،١ ، ﻉ٢ ﻤﺅﺘﻤﺭ ﻋﻠﻭﻡ ﻭﻓﻨﻭﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ، ﻤﺞ ،"ﻟﻠﻤﺒﺘﺩﺌﻴﻥ ﻻﻟﺔ ﺍﻟﺒﻴﺎﻨﻭ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻤﻭﺴﻴﻘﻴﺔ، ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ. . ﺍﻟﻘﺎﻫﺭﺓ: ﺩﺍﺭ ﺍﻟﻤﻌﺭﻓﺔ ، ( :ﻤﺤﻴﻁ ﺍﻟﻔﻨﻭﻥ ١٩٧٠) ﻓﺅﺍﺩ ﺯﻜﺭﻴﺎ؛ ﻭﺁﺨﺭﻭﻥ ﺍﻟﻘﺎﻫﺭﺓ: ﻤﻁﺒﻌﺔ ، ( :ﺍﻟﻁﺭﻴﻕ ﺍﻟﻰ ﻋﺯﻑ ﺍﻟﺒﻴﺎﻨﻭ ١٩٩٧) ﻨﺎﺩﺭﺓ ﻫﺎﻨﻡ ﺍﻟﺴﻴﺩ ﻤﺤﻤﺩ ﺠﺎﻤﻌﺔ ﺤﻠﻭﺍﻥ. (ﻋﻨـﺩ ٢٧) (" :ﻤﻘﻁﻭﻋﺎﺕ ﺍﻟﺒﻴﺎﻨﻭ ﻟﻼﻁﻔـﺎل ﻤﺼـﻨﻑ ٢٠٠٢) ﻨﺠﻭﻯ ﺍﻟﻴﺎ ﺜﺎﺒﺕ ، ﻤﺠﻠﺔ ﻋﻠﻭﻡ ﻭﻓﻨﻭﻥ ﺍﻟﻤﻭﺴـﻴﻘﻰ ، ﺒﺤﺙ ﺍﻨﺘﺎﺝ ،"ﻜﺎﺒﺎﻟﻴﻔﺴﻜﻰ ﻭﺍﺴﻠﻭﺏ ﺍﺩﺍﺌﻬﺎ . ﺍﺒﺭﻴل،، ﺍﻟﻘﺎﻫﺭﺓ٧ ﻤﺞ
دراﺳﺔ ﺗﺤﻠﯿﻠﯿﺔ ﻋﺰﻓﯿﺔ ﻟﻤﻘﻄﻮﻋﺎت اﻟﻤﺠﻠﺪ اﻷول ﻟﺴﻮﻟﯿﻤﺎ ﺳﺘﺮاﻓﻨﺴﻜﻲ ﻟﺘﻨﻤﯿﺔ ﻣﮭﺎرات اﻷداء ﻋﻠﻰ آﻟﺔ اﻟﺒﯿﺎﻧﻮ
١٥٣ ﺍﻟﻌﺩﺩ ﺍﻟﺜﺎﻨﻲ –ﻤﺠﻠﺔ ﺒﺤﻭﺙ ﻓﻲ ﺍﻟﺘﺭﺒﻴﺔ ﺍﻟﻨﻭﻋﻴﺔ
(: "ﺃﺴﻠﻭﺏ ﺃﺩﺍﺀ ﺼﻭﻨﺎﺘﻴﻥ ﺍﻟﺒﻴﺎﻨﻭ ﻟﻠﻤﺒﺘﺩﺌﻴﻥ ﻋﻨﺩ ﺴﻭﻟﻴﻤﺎ ٢٠٠٩) ﻫﺎﻨﻰ ﻓﺅﺍﺩ ﺸﻔﻴﻕ .ﻴﻨﺎﻴﺭ ،١ﺝ ،١٩ﻤﺞ ،ﻤﺠﻠﺔ ﻋﻠﻭﻡ ﻭﻓﻨﻭﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ ،"ﺴﺘﺭﺍﻓﻨﺴﻜﻰ ( :"ﺃﺴـﻠﻭﺏ ﺃﺩﺍﺀ ﻤﻘﻁﻭﻋـﺎﺕ ﺴـﻭﻟﻴﻤﺎ ٢٠٠٣) ﻫﻨﺎﺀ ﻋﺒـﺩﺍﻟﻤﻨﻌﻡ ﻋﺒـﺩﺍﻟﻌﺯﻴﺯ ﺍﻟﻤﺅﺘﻤﺭ ﺍﻟﻌﻠﻤﻰ ﺍﻟﺴﺎﺒﻊ ﻜﻠﻴـﺔ ﺍﻟﺘﺭﺒﻴـﺔ ،"ﺴﺘﺭﺍﻓﻨﺴﻜﻰ ﻟﻸﻁﻔﺎل ﻵﻟﺔ ﺍﻟﺒﻴﺎﻨﻭ . ﺠﺎﻤﻌﺔ ﺍﻟﻘﺎﻫﺭﺓ ،ﺍﻟﻤﻭﺴﻴﻘﻴﺔ ﺜﺎﻨﻴﺎ ـ ﺍﻟﻤﺭﺍﺠﻊ ﺒﺎﻟﻠﻐﺔ ﺍﻷﺠﻨﺒﻴﺔ: Alison , L. (2002): The Oxford Companion to Music Oxford Unviersity. Change anta lee ling (1994): The Russian School of Advanced Piano Technique: Is History And Development Form The 19 th to 20 th Century, PHD The University Of Texas at Anstin U.S.A. Ellon Degrief (1988): The theory of music in Russian and the sovietunion, Ca, 1650- 1950, Pennsylvania University, PHD. Gregory & Platek (1980): Dimitry Shostakovich about HimSelf and His Time, Moscow: Progress Publishers Peter Deane (1988): Aspectes of Modernism in Russian Piano Music 1910- 1929, National, Acadmic Awards United Kingdom, Council, PHD ﺜﺎﻟﺜﹰﺎ ـ ﻤﻭﺍﻗﻊ ﺍﻹﻨﺘﺭﻨﺕ: HTTP://Wikipedia.org/wiki/Soulima- Stravinsky/Biography HTTP://WWW.All Music Com./Artist/Soulima Stravinsky-mn/Over View