Sonic symbolism and dramatic expression according to George Crumb through the first piece of the third Madrigal book

Twentieth-century music witnessed a radical development in the use of musical elements, as composers moved away from traditional frameworks of harmony, rhythm and phrasing to explore new styles that reflect the cultural and technological transformations of the twentieth century, and the use of non-traditional instruments and soundtrack notation in the work of George Crumb contributed to the expansion of concepts of sound and expression. In twentieth-century music, music broke free from the traditional constraints of the maqam system, allowing composers to explore new dimensions of artistic expression, non-maqam emerged as an alternative to the maqam system, while expanded techniques contributed to the creation of innovative vocal tissues. She also performed movements such as avant-garde music.

Crump is one of the most prominent representatives of avant-garde and experimental music of the twentieth century, with innovations in musical expression, soundtrack musical notation, and a focus on symbolism and vocal poetry. In the twentieth century, Madrigal saw authors move away from the traditional character of Madrigal, to explore experimental forms based on vocal symbolism and dramatic expression, and Crumb stands out from the authors who introduced a musical language that blends phonetic symbolism, dramatic expression, and vocal innovations. One of Crump's achievements is his work The Third Madrigal, which is a model for the embodiment of his artistic vision.