Induction in the arts of engraving and printing

Document Type : Original Article

Author

Fine art

Abstract

Understanding the laws of nature through available evidence and information, and finding the connection between them to reach the essence and meaning of something through results reached from multiple observations or reaching generalizations through facts and situations are the most important benefits that can be achieved by learning about induction, and thus using this concept in art will enable art students and practitioners to be able to absorb and perceive many different visions and formative solutions in a greater and clearer way.

Induction is also used in sociology and the humanities. Induction in the strict sense of the word is the research methodology on which various sciences depend.

Inductive logic follows a bottom-up approach. We begin by collecting precisely defined observations and collecting empirical evidence. By analyzing these specific cases, we can identify patterns and formulate general conclusions.

Collective experience and the general concept of the artistic subject make any work stop at this point because of its content. This stop leads to appreciating the work on the basis of many things that have a personal and objective basis, and expanding the components in the structure of the composition and the entire work. This creates a contemplative space for the recipient, which develops the ability to appreciate aesthetics, through judging the parts and developing an aesthetic perception through what is available or accessible. This can be considered an application of the use of induction.

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