Innovative The Nay music inspired by Omar Khairat's composition of the music of the Ahmed uncle's case.

Document Type : Original Article

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Department of Music Education, Faculty of Specific Education, Assiut University, Egypt

Abstract

The Nay instrument is considered one of the pillars of Arab music groups, and there is no doubt that interest in playing, composing, and studying the instrument is extremely important because of the instrument’s special place among various musical songs. The flute instrument, as we mentioned, has a special importance in the performance of Arabic music throughout the centuries. It is also used as two individuals to share about that music in various languages to the muezzin. It bears witness according to recognized maqams and rhythms, sometimes about the poem of sadness and sometimes about joy, and then through examining the instrument on research, I found the researcher is a scarcity of compositions for the Nay instrument as a major work and the reluctance of intelligent youth to compose in their compositions. Through composing a piece for the Nay instrument by the researcher, inspired by the composition style of Omar Khairat for the collection Qat, The Case of Am Ahmed, and enriching the diverse Arabic library, and analyzing the style of Omar Khairat Qat, The Case of Am Ahmed. And he composed a piece of free music for the military flute instrument in the style of composition by Amrat, to music corrected by Am Ahmed. Raida consisted of a pause and four different ideas on the Maqam al-Bayati. It includes different rhythms, the small Masmoudi with variation, the Dweik rhythm with variation, and the large rhythms of unity.

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