The Philosophy of Using the Maqam Transitions by Muhammad Abdel Wahab in a Poem Sahrat Miho Al lyali

Document Type : Original Article

Author

Faculty of Quality Education, Department of Music Education, Arabic Music Specialty - University of Minya

Abstract

Abstract:
The study aims to shed light on the philosophy and style of Mohammed Abdul Wahab in the maqam transitions through the study and analysis of one of his works of art poem (I stayed from him nights), and used a survey form of experts in the selected musical sample, and the research followed the descriptive method applied where listening, analysis and playing the maqam transitions contained in the lyric model, the most important recommendations of the research is the study and analysis of the compositions and mechanisms of Mohammed Abdul Wahab, and focus on the characteristics of these works of transformation and methods of transformation, and try to employ them in the service of some branches of the lyric form. Arabic music (Arabic composition - Arabic solvage - Oriental analysis), to develop and develop the level of scholars and researchers in various specialized colleges and music institutes. It is also possible to use the melodic and musical skills in some of Mohamed Abdel Wahab's works, and to formulate melodic and lyrical exercises along the same line as an application that measures the understanding and understanding of the points of excellence and difference in these works of art.
Key Words:
Maqam transitions - Philosophy of Music Composition - Maqamat - Arabic Music - Mohammed Abdul Wahab

Keywords

Main Subjects