The creative dynamic of treating shapes in design as an intellectual mental activity in the sensory and visual realms

Document Type : Original Article

Author

Assistant Professorof Design, Department of Art Education Faculty of Specific Education Menoufia University

Abstract

The research deals with a non-traditional role of the viewer in the artistic work, which is the viewer's actual participation in the design implemented, through the dynamism of his creative treatment of the forms of work, by moving the work vocabulary with the viewer's hand, to bring about a continuous and renewed diversity of aesthetic visions that do not recur, by emphasizing the scenes as a basis within The plastic construction of the work, based on the investment of its mental and intellectual activity in the implementation of the design, to provide creative formal treatments that employ the sensory and visual space and reflect the complementary relationship between the viewer, the artist and the artistic work.
The research is a new approach to experimentation and liberation from the traditional form of executed design, and the role of the viewer in it. The results of the research also confirmed that the design visions resulting from the actual movement with participation are characterized by diversity and formal and artistic richness, from other works of the actual movement, as it is a renewable system that does not repeat, adding dimensions And visions that have a visual impact on the feeling and thinking of the viewer, any partial or total movement with the participation of the viewer generates formulas, design formulas and new kinematic systems with a rich aesthetic

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