A comparative study of prelude in each of George Auric Op.(22) And Frances Pollank Op.(17)

Summary
A comparative study of prelude in each of George Auric Op.22 And Frances Pollank Op.17
The twentieth century witnessed a great development in terms of composition, writing and composing,in addition to the emergence of many composers who contributed to the development of music significantly, including the group of six composed of 6 composers that acquired this name in 1919 and they are (George Auric,Louis Doré,Arthur Honegger, Darius Miloud Frances Pollanck and German Tyver) their work was distinguished by its diversity and technique that requires high performance technology.
The researcher chooses the first album, which was published in 1919,and selected Prelude by George Auric Op.(22) and Preliod by Francis Pollank Op.(17).
They are among the authors whose works are distinguished by technical ingenuity, which requires performance technique and skill that needs study. Therefore, the researcher dealt with one of their piano works with instrumental analysis and comparison to help students understand it and perform it properly.
The research includes:introduction, the research problem, its objectives, its importance, the research hypotheses, and its limits. The research includes two frameworks: The theoretical framework consists of :
• Previous studies related to research
• About Prelude template.
• A brief history of French music development
• Six group < br>• The Sixth Album
• George Auric's life story - his most important works - his style
• Frances Pollank's life story - his most important works - his style.
Application framework
Theoretical and instrumental analysis of piano prelude by George Auric 22 and Francis Pollank17