"The method of formulating the Al-Sama'i template in Maqam Al-Farahfza according to Sharif Muhy Al-Din Haider and Muhammad Abdel-Wahhab (a comparative study)."

Document Type : Original Article

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department of music education,college education quality,kafr el sheikh university

Abstract

Sama’i is an important automatic template in Arab music, and it is a microcosm of honor in terms of its composition of four boxes and its delivery, but it differs from it in terms of rhythm, and after if all the hearing aids are Turkish, we find that the Egyptians formulated a large group of audios characterized by quality and the artistic plot of them. Ibrahim Al-Erian, Abdel-Moneim Al-Hariri and Muhammad Abdel-Wahhab “Some Arab composers have also penned audio formats such as“ Tawfiq Al-Sabbagh and Jamil Owais ”from Syria,“ Ahmed Baqer ”from Kuwait,“ Saleh Al-Mahdi ”from Tunisia, and Sharif Muhyiddin Haider from Iraq. Muhammad Abdel Wahhab is a completely new stage in the history of Arab music, as he composes purely musical compositions that are not accompanied by singing, and the Sheriff Muhyiddin Haidar, who tended and was attracted to music, began trying to play what he heard from songs on the piano, and when he reached the age of seven, he began to learn the oud. He himself, and he really excelled in playing it, and the two excelled in composing the Al-Sama'i template in Maqam Al-Farah Fazaa, which prompted the researcher to shed light on these two authors in their composing the Sama’i template in the same place and extract the artistic features for them through the following study Analytical comparison

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